Razmani
The Razmani are a hardy and ingenious people of Idiri whose permanent dwellings are carved into cliffsides and built on ledges. While enclaves of Razmani may be found in the great cities of the Sirdabi Caliphate, they more usually make their homes in the interior of the central and eastern Hazari Desert, in places where rivers have cut deep paths through canyons and crops can be grown along the banks. Many of their settlements serve as trade entrepots along the harsh desert routes and are valued by caravaneers and travelers as a place to rest and restock supplies before proceeding on through the desert. The Razmani's skill in carving and laying stone are second to none, and in urban areas they often find work in architecture, construction, and various visual and mechanical arts. They have a reputation for being a hardworking and practical people, with an easy-going nature.
Appearance
Razmani tend to be shorter than most other Idiri peoples or the Sirdabi, with a stocky to plump physique. Their skin comes in various tawny or dusky hues, and their hair ranges from straight to curly in texture and from brown to black in colour, with reddish tints not uncommon. Their eyes tend towards various earthy tones, from mossy green and hazel to deep brown.
Culture
Outwardly the Razmani are a simple people, content to exist peacefully in the background of the Caliphate. Although they get along well with non-Razmani and have a live-and-let-live attitude in regards to cultural differences, they tend to keep to themselves, and even in cities often live in enclaves apart from people of other heritages. Razmani display little interest in warfare or feats of arms, and are seldom found serving in the armies of the caliphate, even in the local provincial forces. Most prefer to be engaged in the productive pursuits of agriculture, construction, and various crafts.
The Razmani are found across the eastern third of the Great Hazari Desert, where their settlements are usually clustered in canyons and perched on sheer cliffsides. Whether due to upbringing or some innate trait, Razmani show no fear whatever of heights and in fact prefer to live high above the ground. Their homes and pathways can be seen carved into the living rock of the desert's massifs, often strung out overlooking riverbeds such as that of the River Tamrasset. Though most such waterways do not actually flow above the surface for most of their length, the Razmani show great cleverness as engineers whose skill in constructing canals, terracing, and other hydrologic works has served them well in their arid homeland. Rumor claims that secret societies of elemental magi also play a part in their success. Whatever the case, the Razmani have proven capable of raising relatively high yields of grains and fruit on a pittance of water, as well as keeping their small stocks of goats and domestic zharal well watered.
Razmani architecture varies from place to place, depending on their surroundings and locally available building materials. Where easily carved redstone predominates, Razmani will carve many of their dwellings directly into the rock, shaping doorways, windows, and elaborate facades from the soft stone. But they are also masters of drystone architecture, capable of building quite tall structures from blocks of stone so carefully shaped and fitted that they require no mortar at all. Many of their homes and enclaves are additionally surrounded by attractive stacked stone walls, likewise laid so skillfully that standing portions of such walls still remain in places abandoned for centuries.
Despite their love for heights, Razmani are also unusually untroubled by claustrophobia and seem equally fond of places beneath the earth. Many of their cliffside dwellings extend far back into the rock, even descending into extensive complexes of subterranean chambers. Razmani are excellent miners and quarriers, whose native endurance and keen eye for materials combine to help them delve for some of the highest quality stone, gems, and precious ores in the caliphate. While some of these materials are exported raw, Razmani crafters often make use of them locally, refining and shaping them into fine pieces of jewelry, tableware, and small statuary. They are less interested in more ephemeral crafts, and most Razmani work is designed to last the centuries.
Most Razmani are also noticeably less interested in the style of poetry and music that dominates much of the Sirdabi culture and Tessouare culture around them. They do however have a great love for epic poems that tell the stories of legendary Razmani heroes from ages long past. Recitations of these poems are often accompanied by the uztigi, a native instrument similar to a lyre. Simple end-blown flutes, usually carved from the longbones of antelope or even goats, are also enjoyed, and their melodies can often be heard echoing plaintively down through the canyons of Raziya and Amunat.
History
Those known as Razmani today are the descendants of the Rassi people of antiquity, whose trade networks brought them great wealth and influence in the days of the Marzum Despotate. The Rassi's homeland lay within the modern-day Sirdabi province of Raziya, where the largest population of Razmani still exists today. Besides building the spectacular canyon city of Alheri which now serves as the center of Razmani culture, the Rassi also founded Omrazir itself in the eleventh century B.D.